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Volume
75
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A SUN-DROWSY BOY lying in a lush summer field, the leash of his pet June bug stretching like a backyard clothesline from his forehead to his smudged little hand, greets visitors to a retrospective of the work of Gordon Parks at the Michael C. Carlos Museum. The luminous image is part of Half Past Autumn: The Art of Gordon Parks, an exhibition that assembles for the first time the artists work as photographer, filmmaker, novelist, poet, and composer. Boy with June Bug is a stark contrast to the work for which the eighty-seven-year-old Parks is perhaps best known: the gritty and often shocking photos of poverty and racism taken during his twenty-year career at Life magazineas, in fact, the magazines first African-American photographer. But Parks is a man of many talents. He also worked as a fashion photographer for Vogue, directed numerous documentaries and several popular films (including the detective film Shaft), published five books and several volumes of poetry, and composed a symphony, a ballet, and several sonatas and concertos. Poems and quotations from Parks writings are mounted throughout the galleries next to the riveting visual images that intend, Parks says, to reveal people as they are: human beings imprisoned within themselves. The exhibition, which closed at the Carlos April 30, has been organized by the Corcoran Gallery of Art in Washington, D.C., with funding from Ford Motor Company. From Emory, it will travel to New Orleans, Los Angeles, Cincinnati, Oakland, Chicago, Memphis, Tacoma, and Rochester. For information on future venues, point your browser to <http://www.ford.com/> and search for Gordon Parks. Portrait of Gordon Parks, 1997, © Johanna Fiore. All other photographs © Gordon Parks.
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